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Movement Labs are where TRIIP transitions into company choreographic works, articles, and community projects. They are a place where ideas are processed further, brought to fruition and documented in text, movement, visuals and voice.
Concrete-Water-Flesh is a project which places bodily experiences as central to our understanding and Being-in-Place. The project combines the research interests of Adesola and Helen in the development of new physical site-specific and web-based choreographic work. Stimulated by the Place of the city and Place of the shore.
A commissioned by the Hayward Gallery, Southbank as a response to Jyll Bradley’s The Hop, Summer 2022.
In a global world of connection and separation, the rise and fall of the water whispers stories of Concrete-Water-Flesh: how we are a part of the environments we dwell in. How we respect the water (keep it clean) and honour it becomes about how we are present in the city and in community. How we compose our lives with water are the scores of the city and scores of the shore…
aGender was a performance from Associate Artists of the Kindred & Judd Collective that questions of gender, binaries and identity and was birthed in movement, sound and lighting.
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A community-based project with a cast comprising of people identifying as dancers and non-dancers. overcoming and connecting with one another despite COVID-19 crisis and geographical location.
An area of research with DancingStrong Movement Lab looking at creating dance in the digital age.